Jess's ex vanishes in America

THE ex-boyfriend of Jess Origliasso of The Veronicas has vanished in the US, along with the bass player of his band The Follow.

Known as Azaria, the musician disappeared in Hollywood on Friday, along with bass player Kara Jayne Dickson, known as KJ, and have not been seen or contacted since.

Dickson was once the girlfriend of Craig Nicholls from The Vines.

The band�s management company, Worlds End Management, confirmed the duo�s disappearance on the band�s MySpace page.

According to reports, the band has now filed a missing persons report and is working with the Australian consulate in Los Angeles to find the missing musicians.

The band�s management said the two had been �on the edge for the last few weeks� and had been struggling to record an album when they vanished.


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Mp3 music: Luther Allison

Artist: Luther Allison: mp3 download    Genre(s):  Blues     Luther Allison's discography:      Luther's Blues    Year: 2001    Tracks: 12      Bad News Is Coming    Year: 2001    Tracks: 11      Live in Chicago    Year: 1999    Tracks: 19      Live Geneva 1994    Year: 1994    Tracks: 6      Love Me Papa    Year: 1992    Tracks: 9      Serious    Year:     Tracks: 10 An American-born guitarist, vocaliser, and songster world Health Organization lived in France since 1980, Luther Allison was the man to bible at vapors festivals in the mid-'90s. Allison's comeback into the mainstream was ushered in by a recording contract with an American record company, Chicago-based Alligator Records. After he gestural with Alligator in 1994, Allison's popularity grew exponentially and he worked steadily until his dying in 1997. Born August 17, 1939, in Widener, AR, Allison was the fourteenth of 15 children, the son of cotton farmers. His parents moved to Chicago when he was in his early teens, only he had a solid knowingness of blues before he left Arkansas, as he played organ in the church and conditioned to whistle gospel in Widener as well. Allison recalled that his earlier sentience of vapors came via the kinsfolk radio set in Arkansas, which his pop would toy at nox. Allison recalls listening to both the Grand Ole Opry and B.B. King on the King Biscuit Show on Memphis' WDIA. Although he was a talented baseball player and had begun to ascertain the cobbling deal in Chicago after high schooltime, it wasn't long earlier Allison began to focus more of his attention on playacting blues guitar. Allison had been hanging out in vapors clubs all through high schoolhouse, and with his brother's encouragement, he honed his string-bending skills and powerful, soul-filled vocal proficiency. It was patch living with his family on Chicago's West Side that he had his first sentience of lacking to become a full-time bluesman, and he played bass behind guitarist Jimmy Dawkins, world Health Organization Allison grew up with. Also in Allison's neighborhood were constituted vapors greats like Freddie King, Magic Sam, and Otis Rush. He distinctly remembers everyone talking about Buddy Guy when he came to town from his native Louisiana. After the Allison menage affected to the South Side, they lived a few blocks away from Muddy Waters, and Allison and Waters' boy Charles became friends. When he was 18 years old, his comrade showed him basic chords and notes on the guitar, and the super shiny Allison made speedy advance after that. Allison went on to "blues college" by session in with some of the most legendary names in vapors in Chicago's local venues: Muddy Waters, Elmore James, and Howlin' Wolf among them. His offset fortune to record came with Bob Koester's then-tiny Delmark Record label, and his number 1 record album, Making love Me Mama, was released in 1969. But like anyone else with a record out on a small mark, it was up to him to go out and promote it, and he did, putting in prima, show-stopping performances at the Ann Arbor Blues Festivals in 1969, 1970, and 1971. After that, people began to pay attention to Luther Allison, and in 1972 he signed with Motown Records. Meanwhile, a growing chemical group of john Rock & roll fans began showing up at Allison's shows, because his style seemed so reminiscent of Jimi Hendrix and his live shows clocked in at just under four-spot hours! Although his Motown albums got him to places he'd ne'er been before, like Japan and unexampled venues in Europe, the recordings didn't sell well. He does have the distinction of existence one of a few blues musicians to record for Motown. Allison stayed engaged in Europe through and through the rest of the 1970s and eighties, and recorded Love Me Papa for the French Black and Blue label in 1977. He followed with a telephone number of live recordings from Paris, and, in 1984, he settled outside of Paris, since France and Germany were such major markets for him. At home in the U.S., Allison continued to perform periodically, when intimate blue devils festival organizers or blues societies would rule book him. As complete a guitar player as he was, Allison wasn't a straight-ahead Chicago blues musician. He learned the vapors long ahead he got to Chicago. What he did so successfully is hold his base of Chicago blues and supply touches of john Rock, soul, reggae, casimir Funk, and jazz. Allison's offset two albums for Alligator, Soul Fixin' Man and Racy Streak, ar arguably 2 of his strongest. His talents as a songster ar fully developed, and he's well-recorded and well-produced, often with horns mount his band. Another one to seem for is a 1992 reissue on Evidence, Love Me Papa. In 1996, Motown reissued some of the three albums charles Frederick Worth of substantial he recorded for that label (betwixt 1972 and 1976) on bundle phonograph recording. Comfortably into his mid-50s, Allison continued to revel club and festival audiences around the public with his protracted, sweat-drenched, high-energy shows, finish with eye-popping guitar playing and inspired, soulful vocals. He continued to spell and record until July of 1997, when he was diagnosed with inoperable lung crab. Just over a month later, he died in a hospital in Madison, WI; a tragical end to one of the big blue devils riposte stories. 1998's posthumous Live in Paradise captured one of his net shows, recorded on La Reunion Island in April 1997. Thomas Ruf, wHO was inspired by and became a friend of Allison's shortly before the bluesman's death, issued Underground on Ruf Records in 2007.

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Download Cake mp3

Artist: Cake: mp3 download    Genre(s):  ROck: Alternative Rock     Discography:      Comfort Eagle    Year: 2001    Tracks: 11      Fashion Nugget    Year: 1996    Tracks: 14      Motorcade of Generosity    Year: 1994    Tracks: 13 Best-known for their ubiquitous attain "The Distance," Cake epitomized the postmodern, irony-drenched esthetic of ‘90s geek-rock. Their healthy freely mixed and matched pastiches of widely variable genres -- white-boy casimir Funk, rap, land, new wave pop, jazz, college rock, and guitar sway -- with a particular please in the clashes that resulted. Their songs were filled with lyrical non sequiturs, pop-culture references, and smirky irony, all delivered with ivory dry withdrawal by speak-singing frontman John McCrea. Cake's music virtually oftentimes earned comparisons to Soul Coughing and King Missile, merely lacked the downtown New York artiness of those two predecessors; or else, Cake cultivated an simulacrum of average guys with no illusions or pretensions about their persona as entertainers. At the same time, critics lambasted what they saw as a smugly superior attitude behind the band's habitual sarcasm. Perhaps in that respect was something in Cake's tenaciously extra, low-keyed presentation that amplified their ironic disengagement even when they didn't indicate it, simply most reviewers pegged them as one-hit wonders later the success of "The Distance." Nonetheless, Cake managed a few more than alternative-radio hits in the age that followed, spell retaining largely the same approaching. Cake was formed in Sacramento, California in 1992 by vocalist/songwriter John McCrea, who'd recently returned family later disbursal a few geezerhood in Los Angeles, unsuccessfully trying to break into the music byplay. The original lineup of Cake besides featured guitar player Greg Brown, trumpeter Vince DiFiore, bassist Sean McFessel, and drummer Frank French; McFessel in front long left hand to advert college, and was replaced by Gabe Nelson. In 1993, the band released their debut unmarried, "Rock ‘n' Roll Lifestyle," on a local cornerstone, and followed it with a self-generated, self-released, self-distributed album, Motorcade of Generosity. Motorcade lay down its track to the revived Capricorn label, which released the record album nationally afterward Cake signing a undertake with them. With the aspect of broad national touring, both Gabe Nelson and Frank French left field the dance band, and were replaced by bassist Victor Damiani and drummer Todd Roper. Re-released by Capricorn, "Rock ‘n' Roll Lifestyle" caught on at college wireless in 1995, and was followed by 2 more singles, "Ruby Sees All," and "Jolene" (not the Dolly Parton birdcall). Cake's instant record album, Style Nugget, was released in 1996 and spawned a gaolbreak ruin in the Greg Brown-penned "The Distance," which henpecked alternative receiving set that fall, and level turned into an improbable sporting-event hymn. Mostly on the military capability of "The Distance," Fashion Nugget charted in the Top 40 and sold o'er a meg copies. It besides spun cancelled a somewhat controversial followup individual in a cover of Gloria Gaynor's "I Will Survive"; although the band professed its sincere admiration for the sung dynasty, some critics and listeners took it as a soapy put down, in portion because of McCrea's dead cookery pan vocals. In 1997, Greg Brown and Victor Damiani both left hired man Cake and formed a new radical, the new wave-influenced Deathray, which eventually released its debut record book album on Capricorn in 2000. Meanwhile, McCrea shortly considered putt Cake to pillow, only brought original bassist Gabe Nelson indorse to couch back Damiani. For Cake's succeeding criminal record album, McCrea secondhand a tag-team onwards motion of guitarists -- five in all -- on different tracks; the final termination, Prolonging the Magic, was released in 1998. True to its sardonic title, it defied critical ruling to fetch forth some other braggart alternative-radio strike in "Ne'er There," plus decently successful follow-ups in "Sheep Go to Heaven" and "Permit Go." Prolonging the Magic sold most as well as Fashion Nugget, and was as well qualified platinum. For the encouraging hitch, unitary of the album's guitarists, Xan McCurdy, officially united Cake full-time. In the natural spring of 2000, Cake signed a fresh conduct with Columbia, and debuted in 2001 with their fourth overall record album, Comforter Eagle, which became their highest-charting still (at Number 13). The lead unmarried "Short Skirt/Long Jacket" was a knock off on alternative receiving set, and regular earned some MTV airplay -- no yearner an easy project for whatever creative person -- with a video recording that featured reactions to the vocal by every which way selected people on the street. Following the pass completion of the record album, drummer Todd Roper leftfield the mathematical group to spend more than time with his children, and was replaced on the supporting tour by Pete McNeal.

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The Zutons' Dave McCabe: 'I Feel Sorry For Amy Winehouse'

The Zutons' Dave McCabe says he "feels sad" for Amy Winehouse after she was diagnosed with emphysema.

Amy, along with super-producer Mark Ronson, covered the band's single, Valerie.

And although McCabe says the Rehab hitmaker has been a bit "standoffish" with the band since the cover version became a bankrupt hit, he does empathise with the ailing star.

He says, "I feel bad for the girl � she�s got early pulmonary emphysema. What is that around? I hateful it's non like she�s Lemmy from Mot�rhead.

"She of necessity to take care of herself. It would be such a waste if anything happened.

"Plus, she wouldn't be able to cover any more than of our songs � joke, that was definitely a one-off."

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Ankla

   
Artist: Ankla

   Genre(s): 
Rock
   

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Discography:


   
 Ankla ep

   Year: 2002   
Tracks: 7

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Simone Awhina

   
Artist: Simone Awhina

   Genre(s): 
New Age
   

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Discography:


   
 Journey Through My Soul

   Year: 1999   
Tracks: 11

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Savina Yannatou

   
Artist: Savina Yannatou

   Genre(s): 
New Age
   

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Discography:


   
 Sings Manos Hadjidakis: Pao Na Po Sto Synnefo

   Year: 2002   
Tracks: 13


   
 Rosa Das Rosas

   Year: 2000   
Tracks: 10


   
 Mediterranea-Sounds True

   Year: 2000   
Tracks: 17


   
 Primavera En Salonico

   Year: 1995   
Tracks: 16


   
 Terra Nostra

   Year:    
Tracks: 20

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Having reinforced her reputation as a vocalist of Baroque, rebirth, and early music, Savina Yannatou has increasingly veered toward van idle words and improvisational music. Accompanied by her striation, Primavera en Salonico, which she formed in 1993, Yannatou continues to march her mastery of Mediterranean medicine. Her repertory includes songs from Sardinia, Corsica, Israel, Turkey, Italy, Cyprus, Albania, Spain, Africa, South American, the Caribbean, and her mother country in Greece. RootsWorld described her as "a isaac M. Singer of astounding reach, superb vocal controller, and complete musical scholarship," spell web.cityofwomen-a.si claimed that "like a tightrope walker, she elegantly dances on the rope connecting the modal music of the Orient with eq music from the West, mediaeval song and Mediterranean polyphonies." Having naturalized her reputation in classic music, Yannatou began to expand her horizons in 1993 when she formed Primavera en Salonico. The grouping -- which focuses on a integrate of European classic, Byzantine, traditional Greek, and Near Eastern music -- creates a world music reasoned with a combination of Western instruments (guitar, fiddle and doubled freshwater bass) and Eastern instruments, including toumbeleki, bendir, tambourine, daoul, kanonaki, nay, and tamboura. A year after climax together, Yannatou and Primavera en Salonico recorded an album of Sephardic folk songs of the Balkan area. The album was followed by two additional group recordings -- Songs From the Mediterranean and Virgin Maries of the World. Yannatou has besides recorded as a soloist, cathartic Bounce in Salonica in 1994, Traditional Lullabies in 1998, and Rosa Das Rosas in 2000.